PEOPLE AND POETRY
IMAGE BY CHATGPT SHOWING THE 15TH CENTURY MARKETPLACE IN FLORENCE, FLORENTINES WEARING GREY CLOTH AROUND THEIR NECKS WHILE JEWS IN YELLOW CLOTH AROUND THEIR NECKS.
By: Nasser Yousaf
EUROPE, JEWS, MATERIALISM AND DECAY
T.S. Eliot (1888-1965) is universally known for his poem 'The Waste Land.' The epitaph at Eliot's gravesite reads:
In my end lies my beginning
I am not a student of literature in the academic sense. But I have always found literature consoling me, consoling me even in my unconsolable moments of grief.
Somehow, I can see and hear the sounds and sights of what is inscribed on Eliot's gravestone. Despite the odds, the world might finally be beginning to see the real evil that is laying waste to the land.
Reading 'The Waste Land,' is not easy; it has the uncanny strength of making one runaway from poetry like plague. But Eliot lends one courage to face such an eventuality.
Eliot writes in his main essay on Dante, 'great poetry is felt and enjoyed before it is wholly understood, but it is only when it is fully understood that it can be read as it ought to be.'
Eliot had literally runaway from riches when he opted to forsake the easy prospects of gaining prosperity through the influence of his family in the US to a life of passion and hard living in England.
My inference from reading 'The Waste Land' is that of a land laid waste to by materialism and unrestrained greed. A land that man has surrendered to working slavishly and the mechanical pursuits of sex and sports etcetera.
I would hasten to add to the list the acquisition of European pieces of art by the wealthy Arab princes. I wonder if Eliot would not have done similarly by including it in his imagery. The poem after all is a kaleidoscope drawn from influences.
Such antique collections to which one neither belongs by history or culture nor the same permit any fanciful thoughts of belonging to only brings to mind the imagery depicted like that in 'a game of chess,' 'the fire sermon' and other sections of the poem.
Israel, as it is now, was handed over to its present Jewish occupiers by Britain. The Balfour Declaration made it possible in 1917 in the middle of the first World War. The wordings in the accursed declaration clearly state that Zionists be informed of their state in the Palestine.
The affinity that countries like the US and Britain feel towards Israel need always be seen as unnatural and indeed scandalous. Israel lies far away from the western shores in the Middleeast to have anything to do with their interests. Truly, imperialism like the raven feeds on carrion.
But even such bizarre favours from the US and Britain have not deterred Jews from looking the gift horse in the mouth. European men of letters have for centuries pointed it out while blaming the Jewish finances as the greatest living threat to the western civilization.
It may be self-deceiving to presume that one can take Jews for friends. Jews are not the kind of people who can be pleased or who can be befriended. Even God and his chosen messengers Moses and Aaron could not cultivate the friendship of the ingrate Jews as we learn from the reading of the Holy Qur'an in the chapter titled 'The Cow.'
God sent Jews food from the heaven, but they soon got fed up even with that. Thanklessness and barbarity is in the Jewish blood of which we find ample evidence not only in our scripture but also on the ground before our eyes. Gaza is the latest example of the Biblical sickness that is the Jewish mindset.
Thought-provoking imagery in 'The Waste Land' is phantasmagoric like the fast changing scenes in the present-day musical videos.
Writer and poet Ezra Pound was the alter ego of Eliot. Without the wise counsel and superb editing of Pound, the poem, of which we are talking, would not have been as popular and widely read and studied as it is now.
One just needs type Ezra Pound in Google and the search machine instantaneously delivers results like:
'Ezra Pound was a distinguished poet and writer, but pound for pound, he was also a malignant anti-Semite. He believed Jews to be responsible for a multitude of the world's problems and embraced stereotypical conspiracy theories about Jewish control of the media and banking industries.'
An unwitting admission by Google, isn't it? It's more like a prophetic proof of what Ezra and Eliot had called as the domination of Jewish finances that would be the ultimate undoing of western civilization. One can now safely add to it the total annihilation of the western media.
Somewhat more charitable results emerge in the case of Eliot. But not without plenty of explanations that Eliot had been mislead into forming his opinions about the Jewish people.
It's not just the financial institutions like the IMF and the World Bank that are being controlled by the Hebrews, but also the rampaging world of IT. There is hardly any subject on which one may find an an objective analysis, especially if the subject has the word 'Jew' in it.
One may try and open William Shakespeare's 'The Merchant of Venice' and Christopher Marlowe's 'The Jew of Malta.' One will find convincing evidence of how many hundreds of explanations are there to daub the two plays into favourable colours so as not to bring Jews into disrepute.
Jews have manipulated even the Old Testament to their liking. For instance, Zionists say Torah forbids Jews taking usury from the Jews, but not from the other people to whom Jews lend money. There is all round ubiquitous mutual protectionism in the Jewish society, community, culture, tradition and history.
Once during a visit to South Africa, Eliot was staying at a place where the hostess was a Jewess named Sarah Gertrude. One night while asleep, Eliot heard an urgent knock on his door. It was his hostess, asking him to leave the next morning. Actually while checking through Eliot's works before going to bed, Sarah had come across a line which she thought was anti-Semitic.
Before Hitler decimated them in Germany, many centuries earlier Jews had suffered a similar fate in Rome. Jews were always battered in Europe but they always vent their spleen on the Palestinians and emptied their guns on the poor folks.
In the ancient Roman Empire, more than 40, 000 Jews were killed in the first century CE. But the hatred for Jews in that land had not diminished even in the Renaissance, and indeed right up to the two world wars.
Mary Ann (nom de guerre George Eliot 1819-1880) had set one of her lesser mentioned novels 'Romola' in the 15th century Florence. I rate this historical fiction as one of her most erudite and painstaking works. At one place in the novel she writes that in the market places, the Florentines wore grey cloth as against yellow for the Hebrews. It showed the racial profiling of the Jews on account of their dishonourable habits.
Himself being fully devoted to religion, T. S. Eliot didn't much appreciate George Eliot's aversion to faith. It is not known whether Eliot also got inspired from George's description of a waste land that she had penned in the case of Prague in her novella titled 'The Lifted Veil.' A few lines from that description may sufficiently describe the scene for us:
'The city looked so thirsty that the broad river seemed to me a sheet of metal; and the blackened statues, as I passed under their blank gaze, along the unending bridge with their ancient garments and their saintly crowns, seemed to me the real inhabitants and owners of this place, while the busy, trivial men and women, hurrying to and fro, were a swarm of ephemeral visistants infesting it for a day.'
The Prague in the above and the waste land in T. S. Eliot's poem is today's Dubai. The skyscrapers are the metal sheets and men, women and children hurrying in and out of the shopping malls the mechanical toys. No further elucidation is needed.
This Ramadan the UAE ambassador in Israel hosted a party for his bloodthirsty hosts. The ambassador did well because he knew too well whose permission mattered in the building of the waste land back home.
posted by Nasser Yousaf @ 02:58
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